The first fully integrated multi-GPU toolkit to craft unique Cinematic Film Looks through Film Lab Processing, Grains, Textures, Details.


Cinematic Film LooksReverator Cinematic Film look

Add cinematic-quality grain to your grades, camera profile LUTs, creative look LUTs, Film emulation LUTs, and negative and print LUTs. Unlike blended overlays of Film scans and simulated grain textures that float on top of footage, Reverator – just like real Film – flips the script whereby footage is ingrained. As your Film grains define the image sensor, your S-curve tonalities are transformed into natural grain expressions of silver halide’s undulating sensitivity to light, yielding film-like Dmin and Dmax with options for pure blacks and whites without grains.

For precise Film stock emulations, grains can be independently modeled for each color plane. Leverage the vast expanse of authentic looking grain Size, Granularity, Softness, Shape, Density, Strength, Dispersion, and Motion for unrivaled matching of existing shots. And with Agfa, Fuji, Ilford, and Kodak absent from the set, what’s preventing you from creating your very own new and improved color and black & white Film stocks.

Film grain motion and variable optical jitter can be used to impart organic film grit, warmth, and realism to digital footage that’s just too clinical looking. By adding subtle Film grain, your footage is perceived as having more depth and containing more detail than in grain’s absence. Realistic Film grain textures can also supplement denoising outcomes of higher ISOs, or mask color banding, or suppress compression blockiness.

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Soup simulates the development of the photographic emulsion through the traditional film processing chain. In addition to imparting film sensibilities to digital footage, Soup simulates looks associated with the outcomes of irregular film processing, primarily through control of the develop cycle with pull or push processing, developer concentration, agitation, replenisher, diffusion, and silver retention (bleach bypass). In emulating LUT-free Kodak and Fuji cine negative and print stocks, Soup’s film profiles can be fully customized through primary controls for exposure, silver sensitivity, offset, soft clips, shadows, midtones, highlights, and six-vector secondary controls for saturation, hue, chroma, and vibrance. Soup works in over 50 Camera and workspace gamuts at full 32-bit floating point precision per channel.

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